Braiding represents a major addition to the emerging body of new music concerned with climate change and deep ecology. Indeed, as the worldwide movement for sustainability gains urgency, many artists and scientists are staking new territory at the intersections of music, acoustic ecology, soundscape studies, and environmental science. This project draws upon ideas from the emerging field of ecomusicology, defined by ethnomusicologist Jeffrey Todd Titon as “the study of music, culture, sound and nature in a period of environmental crisis.” As Dr. Kimmerer said in her recent address to the United Nations General Assembly, “We will need to enlist artists and poets, storytellers and musicians to remind us of what we love, of what we value, what makes us deeply happy as humans; for the most powerful transformations are motivated by love.” In celebration of the world premiere, I invited my collaborators, Asha Srinivasan and Robin Wall Kimmerer, to the University of Arizona as visiting scholars to engage with various constituencies of students and members of the Tucson community. Specifically, a unique relationship was forged with the Tohono O’odham Community College, which hosted an ethnobotany exploration and performance of the piece.